“Everybody wants to understand art. Why not attempt to understand the song of a bird?…people who try to explain pictures are generally barking up the wrong tree.” – Pablo Picasso. What Picasso says about understanding art is very related to the way we approach Large Abstract Canvas Art. Many people feel that abstract paintings will need to have a certain concept of some sort, which could be clearly understood and articulated if only they knew how. This misconception is not helped by the endless supply of people prepared to spout nonsense as to what believe that the artist was trying to say. The almost inevitable consequence of this situation is that people may either feel as if they are being excluded from sharing in a few secret knowledge, or alternatively conclude that abstract painting is in fact all a sham. In either case, the end result is the fact that many people usually do not feel well-disposed towards modern art or abstract paintings.
I certainly identify with Picasso’s remark so far as my very own paintings are involved. If I had a specific message or even a meaning that I could articulate in words, then I would articulate it in words – the painting would have no purpose. The entire reason for creating an abstract painting is that it embodies something which only it may, in a way that should not be put in words. It is far from an essay this is a painting – it encompasses and expresses things in a language that is certainly unique for the medium of paint. This is why we should not make an effort to ‘understand’ abstract paintings in the way people sometimes feel they ought in order to.
The viewer should not search for a clear narrative inside an abstract painting – it is far from going to tell a tale, or reference another ‘subject’ in the same manner that the figurative painting will. But that does not necessarily mean there is absolutely no meaning or no subject, or that abstract paintings cannot contact and move people. When asked about material, the Abstract Expressionist artist Jackson Pollock said, “I am the topic”. Pollock’s statement is not just true, it really is inevitable.
The experiences, personality, memories and mood in the abstract artist cannot help but be fed to the Black and White Canvas Art if the artist approaches the job within an open and honest way. I do not require another subject or idea before I can produce a painting – I simply begin. The truth that I am just me with no-one else is why my work different to anyone else’s, and this is also true of artists. The colours I select, the marks a make, the accidents I choose to go out of, or obliterate, they are all things that I choose as a result of who I am just.
Should you present many different artists with similar basic design over a canvas and ask them to pick-up a brush and develop the painting, the differences in what they would elect to do could be enormous. I have watched other abstract artists at the office on paintings and thought “I would personally never in a million years have selected that colour and put it there.” Not because I think it is wrong or bad, but because they are who they really are and (to quote that other leading artist, Morrisey!) “only I am just I”.
Abstract paintings – There are numerous great styles of painting out there, arising from a rich art history which includes seen movement after movement. The term abstract art is frequently used a blanket term to illustrate non-representational art – which is the lack of recognisable subjects. Abstract art was connected to the rise of modernism over the last century, getting into the mainstream with abstract expressionism in post-war art and still continuing to influence artists today.
What brought about the qualities we percieve in abstract art? The flattening of the artist’s canvas surface is one major quality, as artists moved far from a convincing illusionism towards broader-minded thinking. With the invention of photography releasing the artist from painting as a way of recording reality, they began seeing the canvas surface being an object in the own right, using the canvas being a single, flat expansive surface. Paint ‘acted’ and affected the flat surface and started to form its very own qualities based on the way it was handled. The paint could exhibit ‘personality’, it had its own dimensions and opened up a range of xsjvnx techniques we percieve in artwork from the last century. One of many reasons artists began Picture to Canvas Painting in an abstract way was the opportunities for greater creativity. It allowed to get a greater selection of expression and the development of ideas which were not reliant on representing reality any further.